mr.g returns with a brand new 3-track effort for his phoenix g series. 3 very deep jams with mesmerizing vocals and spaced out chords. a true house record straight from the master himself.

antoni maiovvis career began with a quite frankly amazing lie. in reality maiovvi is not an original italo producer from the 1980s come back to reclaim his crown, but a project started at the end of 2006 by composer anton maiof to explore a world made of synth pop, hi-nrg and horror soundtracks. the cry of >lets dance! lets kill!< somehow struck a chord among the followers of the new cosmic disco movement and has lead to a prolific discography. he is producer, dj, film composer and co-owner of giallo disco records. musically, maiovvi takes as many cues from john carpenter and goblin as he does from italian electro and san francisco hi-nrg right through experimental electronics and krautrock. in short antoni maiovvi makes epic horror disco. he follows his releases on deathwaltz, jam traxx and his own co-run giallo disco records with a journey into the furthest reaches of deep space with >monoceroticism< on flight recorder. four tracks inflected with slowmo detroit jams, new beat trash, spooktactual ebm and hyperborean prog

we stick with our concept for the second release. putting some of our own and some of our good friends music on a v/a ep. this time we have bartellow, a dedicated musician with several projects and bands. spirits combines his disco-affinity with raw deep house sounds and an ecstatic vocal sample. lewy l is the pseudonym for collaborations within our very family. getting rid of limitations this is the name we put our jam sessions results abigail brought a collabo track with nubody from melbourne from the time he spent living in australia last but not least its einerweniger, long time friend from munich with his typically groovy approach on house music. there will be more of him in future productions.

pretty cool edits of two monster hits. dancefloor anthems for crowds worldwide. the a side is a more positive jam whilst on the b side we find a growing dancefloor beast. definitely a smashing record.

the late 2010 album soulbooster from command strange is now split in two parts for the collectors. plate 2 contains you cant touch this.. command strange takes the vibe down a bit for a vibing deep roller for those special moments.. if r&b could be d&b then this would be its slow jam..for the last side we turn to want you back.. one last time we crank it up a notch with some good ol rolling breakbeats and smooth piano touches.. a brilliant jazzy roller with a vibe like no other

one of londons most vital parties, (praised by fact, dummy, dazed & timeout who named them as one of the highlights of 2012 and ones to watch in 2013 and beyond): after a sellout first release rushmore returns to bring you the second instalment of the highly sought after hot ep series. the house of trax policy has big american focus with previous guests including dj sliink, tyree cooper, venus x, zebra katz, kingdom, fatherhood, traxman and vjuan allure. but they dont forget the uk either with appearances from bok bok, l-vis 1990, jam city & slackk. 2013 has seen very special appearances from grime godfather slimzee, dj assault, dj earl and return visits from venus x and mikeq also. with their second year drawing to a close, a capsule clothing range debut, the soundtrack to their very own club catwalk show is hot 002.

777 is a new underground label straight from berlins sweet armpits! the first release offers three cuts from live recorded jam sessions and the first pressing is limited to 250 vinyl only copies which are handnumbered and individually labelled. mastered by helmut erler at dubplates & mastering. let the music speak...

ellis de havillands original art brut and authentic idiot savant music: lost and found heavy and raw, wonderfully obscure and brilliantly retarded, crazy and intense acid house ghetto trax from the chicago underground 89 - 91. released on bunkers new 4000 series. 200 copies edition!

newcomer to the label, james fox makes his stamp on needwant with the sensational holding on featuring the smooth and soulful voice of cardiffs vanity jay.

after his hivern debut in march 2013, and his recent remix of the xx s >swept away<, dublins new jackson knocks back some uppers and knocks out the piano-and-string-led 10-minute house jam, > of a thousand leaves<. mastered by helmut erler at d&m. a one-sided, 250-run, 12 inch -only release on major problems.

busking really is next-level in berlin, with the acoustic guitar replaced by the laptop, drum machine and minimoog, all powered by a car battery. it was this thrown together setup that first introduced the world to skinnerbox as iftah gabbai and olaf hilgenfeld took their leftfield, jazzy attitude and improvised genre-bridging music to the streets of berlin for impromptu jam sessions. it wasnt long before skinnerbox were rocking the floors of ritter butzke and wilde renate and getting their music pressed to the black gold was surely the next step...

following releases from disclosure, vampire weekends baio and hot chips joe goddard feat boris dlugosch, london via berlin collective greco-roman release the *i m not dancing* ep by tirzah (produced by micachu).

in the midst of the increasingly popular house music hurricane comes a fresh two track ep from one of the movements most promising talents, richy ahmed. taking cues from hip-hop, techno, funk and disco, the drums ep arrives on the 2nd of december via hot creations.

the much loved nice n ripe sound is being re-visited by boston funksters soul clap. it is impossible to think of garage in the nineties without thinking of the seminal uk garage label nice n ripe, which started way back in 1993. from its beginnings in flat in finsbury park releasing the occasional 12 inch record to releasing a record per week under an array of different guises such as nice n ripe, nice n fruity, g.o.d. and zest 4 life, nice n ripe peaked in the years 1997 - 2001 when classics such as *together* by 24 hour people, and *industry standard* by industry standard featured on every dance floor from pacha ibiza to save the robots in nyc.
pressing on translucent, yellow coloured vinyl.

puss is a new label from hnny and kornél kovács, pushing club ready dance tracks to tenderhearted discjockeys around the world. the first release came this spring, with hnnys simple yet devastatingly effective rnb refix *boy* and kornél kovács eerie dub version *yob* sharing one side each – for the follow up, hnny transforms a late 90s jam by wexford, pennsylvanias finest into an acid-tinged house jam in two different arrangements. as always with puss, each record comes with a unique real human kiss mark. expect more to come.

hamsa intenational are hitting us with some obscure and analog live jams for club use only. rigid grooves that transform subtly by the use of frequency cuts and vocal chops make bodytalk an interesting lo-fi sounding yet energetic jam for peak hours and after. the analog warmth thats filling up the speaker cans comes straight out of old machines and a tape recorder.

for its fifth release, brstl continues on its mission to unearth fresh and exciting artists from bristols electronic music scene, this time showcasing the debut release from idle hands employee shanti celeste. regular clubgoers in the city will have almost certainly heard her display her penchant for heavily swung rhythms in her dj sets, and her 12-inch for brstl manages to distil this passion into two elegantly produced house music groovers. recently unveiled on outboxxs podcast for resident advisor, the soulful new jersey-esque skip of >need your lovin< (baby) takes up the a-side, its gliding rhodes chords and playful melodies being propelled by a tough and irresistably funky beat that kerri himself would be proud of. over on the flipside, >result!< offers up a more heads-down vibe, channelling those swung beats into an upbuilding, synth-smeared house jam.

it is a family affair as grimy returns with heat from the windy city known for amazing dance edits. tim mcallister takes it out the gate with *rollin*, a classic soul/disco beater replete with joyous flute trills, leslie speaker efx and a pumping house kick. in-demand newcomer cratebugs *get up move your body* is a spacious, cosmic edit of a little-remembered canadian gem. the song ends with an intuitive synth jam that will be enjoyed by djs and home listeners alike. longtime grimy associate rahaan ends things with a bang. his largely original *buari traxx* mixes ghanaian rhythms with killer disco bass and the nuanced, tracky drum programming you could find on a dancemania record. the brilliant track is built for the floor and also serves as an apt transition into grimy trax, a sister label that will release all new music. chicago is still burning.

a way for a self - talk while listening to a record could be something like that, whats this blazing sound why do the groove refresh my lazy ears we can answer to this question. its strictly mr. and mrs karera. beatamines and andlee attends your head jam to show you how to move right

124black is the new sub label from 124 recordings with the aim of promoting a darker, harder sound firmly rooted in the underground. all releases are strictly limited and available only on 10 inch translucent vinyl. first up is jacob b, rapidly gaining a lot of recognition for his deep and chunky club cuts, aptly demonstrated on >basement crowd< with solid drums, suspense filled strings, a spoken word vocal and a bassline that shows you exactly where the title of this track comes from. next is another 124 family member, liam geddes late night jam, >somebody in the house<. with its haunting stabs, groovy baseline and snare rolls, this a simple, yet very effective track that works equally as well in a small club or large warehouse! on the b-side, cecil returns to 124 with >bv< a track very much aimed at the dancefloor and replete with the producers signature deep stabs and chords, that work alongside a sub bassline that you feel rather than hear. a peak time track...

moplen have released killer disco edits on labels like bbe, salsoul, windy city edits and chopshop. now its time for moplen to hit up gamm with two stunning disco excursions.
on the a-side we find a huge remake of classic salsoul jam *jingo* but now with a massive piano intro and loads of percussion breakdowns…heavy!
on the b-side rufus & chakas classic nyc disco anthem *clouds* (what a tune!) gets a dj friendly moplen re-rub.
another g.a.m.m sureshot !

direct out of deepest neukolln emerges z o d i a c 4 4. rusty, broken and cantankerous we spill forth our first ever release with dungeon acid at the helm. dungeon jams sees the swedish producer summon madness from the depths of his mind and unleashes it on the world via his computerriddimdrummachiner and the analoguewavecombosignalizer. aboard the pirate ship are fellow viking rivet (skudge/kontra) and nordic saint dj fett burger (sex tags mania/sex tags ufo) with both bringing their own inimitable and unparalleled sonic grooves to the battleground. zaqua is the first of 12 releases. one for each sign of the stars and then z o d i a c 4 4 is forever dead and gone. forever.

church follow on from their hugely successful debut release of lorcas faith evans refix late last year (church000), with the launch of their new side project church white. this sub label will focus more on the melodic side of the spectrum, decidedly not shying away from the use of a vocal sample. moving on from its bootleg debut (church000), church white will also be the home to edits and original productions. the first release comes from co-founder seb wildblood whom recently released on kerri chandlers much loved imprint madtech records.

dmx krew debuts on abstract forms, showing us just what can be done with a collection of vintage synths, impeccable programming skills and a heavy dose of talent. >micro life< is a jam packed ep of eight tracks which venture on the quirky side of the electro genre. this modernist take on a classic style delivers a wonderful sense of melody, refreshing arrangements and innate funk. a master of his craft. limited to 300 copies.

limited nice price action !!!
here we have a limited pressing containing three raw, underground house remixes of tracks from the forthcoming lp of a certain essen based producer. ava label boss damiano von erckert goes jacking on an uptempo old school detroit techno influenced jam. homewreckers head deeper on their beautiful mix of high needs low whilst ugly drums absolutely kills it with an amazing stripped back disco approach that shows just why hes such a hotly tipped producer for 2012. essentia

2nd release from the duo made up by deep88 and melchior sultana, this time with an old school classic jersey jam. jazzy piano vibes on yo house and lush house on track3. vinyl only

the kicks started as a collective of different musicians, electronic & instrumentalists, that gathered together under one roof just for the fun of it, coming together and jamming at their own expense. a jam is a jam. theres no aim, no target. it is free from expectations and just like that the tapes piled up with no specific style or genre lines. whatever happens, happens is pretty much the attitude that created a label, not out of necessity but out of convenience of being free to release the more outstanding cuts recorded, regardless of their personal definition. the first release is from the curators and creators of the project, maayan nidam & alex picone. the record starts with the psychedelic tone of alice in the desert, continues to a still hypnotic yet down to earth 020 and ends with the stabbing butt shaker think about it. the next releases will continue featuring picone & nidam, joined by cool cats like aquarius heaven, san proper & cesar merveille.

its been a while since weve heard a jam as bruising as nonsense. titles in techno often dont tell you much, and wed go as far as to say this badboy is really more no-nonsense.

various artist from the earth mothern family. rks, austerity, js and zero gravity saga for the first volume of the tape fresser series. rks open the ep with b3rln2 a deep, techno track, based on a solid groove and a stellar pad. the new secret project austerity closes the a side with a raw-tech-funk-balearic jam, highly recommended for every floor. b side starts with seven words, sharp drums and a soft female voice, exclusive js style. the last track of the ep is pink flamingo of zero gravity saga a new anonymous project based in berlin, pure acid destruction mixed with heart

the mysterious lord of italo hooks up with il bosco on the latest hot 4 tracker from red laser. a simple and dark bassline with haunting lasers creates the bubbling imagery of a journey through manchester at night. where are we heading? to the fukin disco mate. how we getting there? in il bosco s 10 year old ford focus with the fat system g. why is the underside all crumpled? cos dj emerald beached it in tib street car park. windows down on a summers night? no, theyre broken. kid machine rocks the quickest shit i ever heard him make with this italo-electro-disco smasher. the title track to a film score that doesnt exist maybe ? this sci-fi thriller gives bass line collectors their monies worth and the beats are seriously heavy, but my favourite thing about this recording is the glittering euphoric interludes that appear twice in the track and make the whole composition complete. his strongest stuff yet. yes yes yes starion returns with another cosmic italo disco bubbler. its the soundtrack to a film set thousands of years in the future about a pimpin robot called night flanger. he makes sure all the fembots undercarriages are maintained and well lubricated when hes on a night out drinking diesel and smoking aluminium too hot to handle. too cold to hold. dirty girl is a boogie electro funk jam from il bosco. a chopped up rare as fuck record. can you find out what it is? probably. if you do and you know how to contact the artist let us know... do not miss!

15th edition of kitsune maison, a compilation jam-packed with interesting fresh faces, irresistible choruses and inspired melodies

etcht records comes with its second release, this time from new artist cam chorder. this release moves in a different direction from the labels debut showcasing a new slungout analogue electro sound. cam chorders *the worst* was recorded during a live jam taken from rosies box studio in london. featuring breathy vocals and noisy synths, this gives an uneasy yet poppy tone to this record. the original is backed by a futuristic 4x4 reworking by velvit aka dbridge.

liverpool based andy ash hits the saft imprint with two excellent analog house jams. the overall sound andy comes up with, hints to the early machine driven house sounds from the late 80s on the a1 in love whilst transitioning into the more jammy house sound andy has been purveying on his string of latest releases on his a2 jam called black stem.on the b side saft regular kastil provides andy ashs >in love< with a heavy machine rework. kastil proves he has been crafting and perfecting his production skills with some new hardware gear. this remix hold the intense feel of a 4am sweaty club session. all and all saft proudly present the 5th installment in their series of pure and all round house releases.

great remixes by lowtec, dorisburg, berg, roaming

september will see mock & toof release *temporary echoes*, an eclectic collection of remixes from their highly acclaimed albums *tuning echoes* & *temporary happiness*, featuring interpretations from the likes of wolf & lamb, kink & neville watson & dmx krew. to accompany the album release there are two very limited vinyl samplers. vol. 2 sees rising stars sling & samo (l.i.e.s. records) turn in a heavy spaced-out house jam rendition of *farewell to wendo*, portugals tiago (golf channel) go warm, deep & classy on *sleeper* while call supers amazing remix of *the key* also features (never released on vinyl before). dont sleep - no represses! vol. 1 features remixes from wolf & lamb, skatebard, kink & neville watson & young marco.

nyc-based japanese dub trio joins with hot japanese trumpet player takuya kuroda (jose james band, akoya afrobeat) for a house-tempo jam. out-of-this-world remixes by area & intrusion, for some boundary-pushing sounds.

people get ready! heres the first of several studio barnhus releases to come from 20-year-old stockholm native baba. despite his youth, this former ballet dancer has an impressive discography under his belt, having been one of the strongest forces of the elusive skweee scene since 2008 while also releasing two albums of dreamy folk pop under his betlehem beard corporation alias. our girls is a raw, bouncy house jam recorded to cassette in three different tempos and arrangements. enjoy!

wbeezas first release on his own label, pfly music. two cuts. a side perfect high is a deep jam that kicks. b side i like it is a hard and heavy jacking groove with a delicious vocal sample. killer cuts

after three sold out releases on gamm the edit king the reflex is back with vol.4 in his re-vision series! this time around he goes slightly more rare groove-ish than before with three amazing re-edits.
first up blood sweat & tears gets a breakbeat rework that kills the original by the miles if you ask us. the dope jazz brake in the middle is extra nice.
to follow up we go on a funky blues trip on *gone is the thrill* and last but not least a hot (!) ohio players jam gets funked up to the max.
the reflex and gamm have done it again!

live and raw retakes from the crow castle cuts series with an unreleased bonus track too. black vinyl, black label, black bags, limited edition. llangollens dinas bran boys invited marquis hawkes, in fields, zoovox and gnork to quite simply do their thing = cccraw.1

after a bit of a hiatus, roots unit return with some deep house hybrids from their bulging vaults. learn to love is a melodic dub-house / techno infused big sound system warmer that comes from a studio session with former 2 lone swordsman keith tenniswood and will be familiar to those who tune into tim sweeneys beats in space show on the regular. morning sequence is a lovely early morning hypnotic slinky electronic house jam that gets under your skin and into your mind. this latter track is mutated into a heavy floor filler by mark e in full on peak time mode.

ein re-issue der legendären 3 track ep von royal trux auf domino! neben dem single-hit deafer than blind finden sich ein cover von richie havens run shaker life sowie eine schöne jam-session namens the united states vs one 1974 cadillac el dorado sedan, der mit abstand längste royal trux song in der geschichte der band.

jon mcmillion steps aboard the zoombezoom ship as it sets sail into a sea of dreams of future past. he gently weaves the sounds of jazz piano and disco organ loops with darkly glittering garlands of drum computer sequences and moody bass lines he journeys far to shine light onto deep emotions and inner beauty.

some two years in the making, glide time is the brand new studio album from is it balearic..? recordings head boys coyote. eight tracks deep, this album sees ampo and timm sure further perfect their approach to modern balearica, ambling from moments of incandescent calm such as the expansive opening track *california jam* and *feel beautiful* to euphoria inducing cuts like the chuggy *swimming* and acid tinged *break on through*. look out for the guitar playing skills of is it balearic...? stalwart max essa too. it is indeed time to glide. switch on and feel the new balearic beat at its best.

debut release on the new beats delivery & glenview records joint venture. lesca - wrong, taras 3000 - roll the dice, krjuk going on, lipelis pres. tmo jam iii + bonus beats. a strong package of deep house from the saint petersburg based deep house label/community beats delivery. dont miss it.

incl. mp3 download code. exclusive selection of old chicago warehouse classics that are currently out of print. incl: aquarius warehouse anthem, jam to it again, originally out on city limits in 1990, still sounds like a jolt of adrenaline to the system.

following on from big releases by the likes of cherie lee, the storming danse club records are back with another big house classic that comes complete with on point remixes from dutch tech house hero lauhaus, label bosses brodanse plus bass culture alumni john jastszebski whos version will be vinyl only. kalishas original is a classic house beat released on n sync inc back in 1992, but it still sounds hugely on point. with garage inflected beats, grainy, catchy percussion and pristine chord stabs it is an ebullient jam that brims with personality. the recognisable vocal samples help take it to the next level and mean it cannot fail to fill dancefloors everywhere. updating the track for modern listeners are the three remixes.

karizma has also called on some of dance music heavyweights to collaborate on the album including the mighty osunlade (yoruba records), rokaz (neil pierce & ziggy funk), and rising uk talent sean mccabe.

newly-formed chicago duo ignites the decks with 3 tracks of beating, acidic, purely analog jam-outs accompanied by a remix from ike release. limited vinyl-ony release